“The music industry is rapidly
changing these days, and it’s my
firm belief that an unsigned artist
can make it on their own without the
money and image of the corporate
music market. Though I didn’t always
believe this, after meeting with
several major labels in 2006, I
realized not even they know what to
do anymore. They want you to be
different and unique, but also sound
like what’s “hot” at the moment.
Instead of developing an artist they
believe in, they want a sure bet act
with a pre-packaged fan-base, ready
to sell records. I understand this
strategy from a business point of
view, but, while they stick to this
formula, their get rich quick
antidote seems to be erasing any
true admiration for many artists on
the charts today.
…granted, this is just my own
opinion and I’m not speaking for
anyone other than myself. My only
question is what would happen to
many of these novelty acts if you
were to strip them of their
marketing team and million-dollar
producer, and simply said “go for
it?” How much would they really
accomplish? For someone like me,
this is not an option, but a must.
What must I accomplish without those
things? How successful can I make my
music?”
This is the spirit behind Five
Times August’s latest album “The
Independent l.p.” A one-man project
based out of Dallas Texas, Five
Times August is really another
moniker for 23 year-old Brad
Skistimas. Realizing from the get go
that his last name wasn’t any
easy-to-remember title, Skistimas
decided to promote his music with
the alias based off his birthday,
August 5th.
In 2005 Five Times August released
the album “Fry Street.” It was
recorded in a house in Denton, TX,
and named after the street where
Brad was living at the time. Fast
forward two years later, and the
album is now being re-packaged,
re-titled, and re-released for
national distribution across the
country. The difference between this
album and other CD’s in the rack
beside it? No record label of any
kind has anything to do with it.
Since “Fry Street” was originally
released, eight songs from the album
have been featured on television
shows like MTV’s Laguna Beach, the
CW’s One Tree Hill, and Oxygen
Channel’s Bad Girls Club. These
placements helped catapult Five
Times August’s Fry Street sales to
over 100,000 in online digital
stores like itunes, and over 11,000
physical copies of the CD from FTA’s
online store. Skistimas refers to
the placements as luck, but his hard
work and drive to promote the music
is responsible for his success.
Originating in 2001, Brad started
Five Times August right when the
digital music age began to sprout.
Through the years he has watched it
grow and has grown with it, creating
an online reputation of being one of
the first true entirely independent
artists. We’re not talking just the
music here. Skistimas creates and
designs his own merchandise, cd
artwork, and website, while
maintaining one of Myspace’s top
music profiles (www.myspace.com/fivetimesaugust.)
He writes back to all of his fan
e-mails and actually does most of
this from the road. In 2007 he will
have toured eight months out of the
year, visiting 39 states. His only
companion in this project is
dedicated manager Kelly Vandergriff,
who books the tours and handles
publicity and finances for Five
Times August. Between the two,
Skistimas and Vandergriff handle
what would be an entire staff of
label jobs.
“The ‘do it yourself’ approach is
the new way to do things” says
Skistimas. “I’m in total control of
my music, my image, and the message
I’m putting out. To me, a major
label deal is irrelevant. I think
the only thing a major label could
offer me [that I can’t get] is
massive amounts of radio play, but
even that is ruled by payola.
Luckily more and more people are
tuning into their ipods now since
radio play lists are so redundant.”
With the momentum Five Times August
has picked up in popularity,
Skistimas realizes someday soon he
will have to expand his team to more
than just two people. However, he
also realizes the value of a fan.
Never ignoring an e-mail, or dodging
spectators after a show, Brad makes
his best to be accessible to all his
listeners.
“I don’t think many musicians or
bands these days realize how lucky
they are to actually have a career
in music, considering so many people
are easily ripping CD’s to their
computer and sending the files to
countless friends. On the other
hand, once a new listener finds out
that I’m not just another major
label act, they realize they’re
apart of something they can connect
with and support on a more personal
level. I think that comes to a
mutual understanding that I’m lucky
they’re listening, but they’re lucky
to have the music, too. Without
their support artists like me
wouldn’t survive.”
But with success comes the
undeniable offer. Fortunately for
Skistimas he not only looks at music
as an art, but realizes the
importance of the business aspect as
well. With high sales, building
fan-base, and a promising future,
Brad continues to pursue his career
with patience and prudence.
“I’ve had offers that many other
unsigned acts would probably snag in
a minute.” Skistimas admits. “But,
I’m doing so well on my own. Sure, I
may not be publicized as much as I
would be on a major, but my profit
isn’t split six ways from Sunday
before I see any of it. I’m actually
doing better financially than many
new major label acts. It’s not to
say I’ll never sign, the right offer
just hasn’t knocked on my door yet.
‘Making it’ isn’t limos and parties
to me, it’s paying the mortgage on
my house with money I’ve made
entirely out of my music. It’s
amazing and gratifying, and I’m very
lucky to be leading the way for this
new way to do things.”